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I have had a long time appreciation for Sassicaia. Seven years ago, I arranged
a vertical tasting of eleven vintages, and I wanted to repeat the event to see how the wines had matured, and to see how the newer vintages compared with the old ones, so I set up a 14 vintage vertical to survey the wines. In my experience, there is no substitute for being able to taste the wines together at the same time, in order to form a sense of what the wine is all about. There are always differences attributable to the vintages, but there are commonalties you can see that are at the root of what the wines are. Once you have gone through this process, you can say that you really know something about the wine - it is totally different from trying to form an opinion based on one vintage you tasted last month, another a year ago, a third tonight. All of these wines were sourced from my cellar, where they had resided since release, except for the 81, which came from a cooler cellar, the better to ensure it was still in good shape, and the 1996 and 1997, one of which flew in for the event from Toronto with its owner. If you visit the website for Sassicaia, you will get a slightly Bowdlerised version of the history of the wine. There is no mention anywhere of Giacomo Tachis, the winemaker from the first commercial vintage in 1968 until the early 1990s, and the story of the carefully planned viticultural journey from planting specific varietals to winemaking techniques would indeed seem quite odd to Tachis, who relates a somewhat different tale. The vineyards at Bolgheri were planted in the usual hit and miss fashion, with cabernet sauvignon, cabernet franc, cannaiolo and sangiovese intermixed. The latter two were eliminated early on (the wine is now 10-15% cab franc, the rest cab sauvignon), and the first vintage was 1968. If you read the material on the site, you'd believe this debut was carefully planned - if you listen to Tachis, who made the wine, it was a combination of wine salvaged from casks of 1965, 1966, 1967, and mostly 1968, blended and issued as a single vintage, the balance discarded. By the 70s, they had sorted the vineyards out and refined the winemaking technique to the extent that they merited the reputation as the first and perhaps most reliable 'Super-Tuscan', a wine made from varietals not allowed by the DOC rules of the region, and thus (until it was awarded a DOC designation for 1994, the first single wine DOC) it was sold as a vino da tavola. That this wine is remarkably reliable even in weak vintages, a testament to technique as much as terroir was amply demonstrated in our tasting, which spanned three decades, from 1979 to 1997. Here are the notes: 1991 - I started with this wine as I predicted that it would be the weakest of the modern vintages. We drank it while I talked a bit about the tasting and the wines. The best part was the nose, for the wine was a bit tannic and tart, and the lean profile was acceptable only when taken with food. Definitely the weakest wine there, and in comparison to the 1991 Tignanello that I opened for lunch the next day, a less satisfying experience (probably the only vintage I can think of where the Tig out-shone the Sassicaia). 1980 - a decent mature nose, nice weight in the mouth, soft and ready, with a nice reprise of fruit right at the end. Perhaps the only wine detectably on the 'other side of the hill'. It faded in the glass, but was presentable at the beginning. 1986 - much riper fruit in the nose of this wine, and weightier in the mouth, with the tannins of the vintage finally softened to allow it to be enjoyed. We had lamb carpaccio with Reggiano, capers, and extra virgin oil from Sassicaia that I had picked up on a trip to Italy a few years ago with this flight. 1979 - this wine has never received much respect from the reviewers, nor the winemaker, but when we tasted it seven years ago, it showed beautifully and was one of the favourite wines. It started off poorly, though it had good colour, and I was at first disappointed with the wine, as it seemed too acidic and closed. Then it started to open and showed some cocoa/mocha in the nose, with good sweetness on palate. Not as good as it was in the first tasting, but nonetheless still enjoyable now. 1989 - tough year for the region, but this wine wasn't shabby at all - a bigger, riper more fruit driven nose, and a good tannin to fruit balance. Best wine so far. Served with pan seared sweetbreads with spiced lentils, 'candied' prosciutto and truffle sauce. 1982 - a really attractive mocha and cassis nose, smooth, balanced, long and sweet. This wine had the sweetest fruit so far, and was the first one that had a level of terminal acidity and structure that would allow it to masquerade as a Bordeaux in a blind tasting. It was also the favourite wine of the night for a couple of people. Lovely! 1983 - the nose on this one was a bit reticent and took longer to open up, but eventually showed as a bit riper, perhaps even better balanced than the 82. An elegant wine. Served with rabbit loin stuffed with it's own liver, sweet potato roesti and Port reduction. 1981 - good colour, a nice high-toned nose of cocoa and fruit, excellent sweet fruit on palate, not too much acidity, and very much like a Bordeaux. This was the last one I was worried about being in good shape, and I gave a figurative sigh of relief once we reached this point, as all the rest were sure to be good. 1990 - this wine was very good - sweet currant and vanilla in the nose, very full in the mouth, good concentration and sweet fruit like the 82, and the more typical slightly high terminal acidiy. Will last for years, but drinks very well now. I cannot recall why I didn't buy more of this vintage! Served with a wild mushroom ragout with roasted garlic on a brioche. 1985 - this flight were the big guns - this wine is a Parker 100, and it is really amazing. Very dark; even more so than the already quite dark wines that preceded it. The nose was a wonderful, luscious black currant extravaganza topped off with cedar and a little tar. In the mouth, it had a creamy smooth feel, and the fruit was exemplary with layers of subtlety. The tannins are soft, the acid lively, and the wine has many years to go yet. It is a truly great wine, and when I see reports that some people think it to be over the hill, I have to attribute it to poor storage or lack of tasting experience. It is magnificent, but having said that, it is also a bit of a blonde among a family of brunettes - all of the previous wines were clearly identifiable as cut from the same cloth, while this one was qualitatively different, a more international style of wine with less regional typicity. 1988 - it is always a bit unfair to compare wines as good as these, but either would overwhelm any of the other vintages, so I elected to taste them against each other. In fact while we tried many of the pairings at the beginning of the courses, together, we most often drank one wine, then moved on to the next, as this method allows the best opportunity to savour the merits of each wine. The 1988 had a rich nose, and was forward and ready, sweet in the mouth, with great length. One to drink while waiting for the 85 to develop. Served with Tournedos Rossini on scalloped potatoes. 1995 - I elected to serve the last 3 vintages from the 90s together with cheese, which included the often dreaded Vacherin de Mont d'Or, this one at a perfect stage of ripeness, and therefor approachable with pleasure. Dark, with a sweet oak/cassis/anise nose. An unusually sweet entry followed by a well structured forward and drinkable wine with quite a few years of potential ageing ahead. 1996 - a similar sweet profile, bright, with the most tannins of the three, and with the nicest nose, I thought. I have a concern about the level of fruit in proportion to tannin, but trust that it will all sort out in a few years. 1997 - a good nose in the same style, a bit more terminal acidity, good structure and fruit, but not as fresh as the 1995. While we could see the family resemblance of this trio to the previous wines, they did seem to be cut from a different template, more fruit and sweeter, and the tannins not as tight as the others were at that age. This is nothing new - many areas went through a revolution in winemaking at the end of the 80s and beginning of the 90s, and added to this is the fact that Tachis, who made all of the other wines, was replaced by a new winemaker for these vintages. It will take a taster with either more experience, or a better crystal ball than I possess to predict whether these wines will fit easily into the traditional Sassicaia lineage, or if they represent a departure in a new direction for the winery. At the end of the event there was demand made to repeat this tasting again in another 5-7 years. Some of the older wines would by then be beyond their drinking plateau, but new vintages could be added to extend the vertical forward, and perhaps the correct place for the 90s wines could then be more accurately assessed. I had five people from the original 1997 event at this tasting. Maybe we should get together again in 2008 or so to repeat the experience. |
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Hi, Bill -
You _really_ should move to Los Angeles so that I can partake in your tastings! ;^D This sounded like a great extravaganza of food and fine wines. I've pretty much stuck with traditional Italian wines, so I'm not familiar with Sassicaia, but I guess I'll have to investigate their wines. One comment on vertical (and horizontal) tastings: Although I appreciate the educational value of them, I don't conduct them on my own anymore. There are always wines that get blown away by a few of their more stellar peers which would be perfectly lovely if served on their own. That strikes me as wasteful of merit. On tannin/fruit balance: In my experience, wines that go into the bottle out of balance never achieve balance with aging. They may _improve_, but it's always better if the wine is balanced to begin with. > Maybe we should get together again in 2008 or so to repeat the experience. Is that an open invitation? ;^) Tom S |
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>> Maybe we should get together again in 2008 or so to repeat the
>> experience. > >If you'd need my bottle of '85, count me in. > You don't need to wait for 2008, Michael, nor bring the Sassicaia - just call if you ever get to this part of the world (BC) and we can arrange to do a bit of tasting. Mark and others have made their way here, and Ian keeps threatening..... |
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>One comment on vertical (and horizontal) tastings:
>Although I appreciate the educational value of them, I don't conduct them on>my own anymore. There are always wines that get blown away by a few of>their more stellar peers which would be perfectly lovely if served on their>own. That strikes me as wasteful of merit. > I agree, but find that you can taste together and then go back and drink them seriatim, savouring one at a time. That sort of tasting is the only way to know a wine or a vintage! >On tannin/fruit balance: >In my experience, wines that go into the bottle out of balance never achieve>balance with aging. They may _improve_, but it's always better if the wine>is balanced to begin with. Depends on what you mean by balance. Excessive tannin can conceal exactly how much fruit is there - examples would be the 1975 Bordeaux when young, and just about any Dunn. Past a certain point, there is so much puckery tannin that you have a real hard time detecting just how much fruit is there. Wait 15 or 20 years and things can sort out. I'd agree though that if the fruit isn't there to start with (even if it is 'hiding') ithe wine isn't going anywhere. |
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If you get to Miami, please count me in for your next tasting....
burris Bill Spohn wrote: > I have had a long time appreciation for Sassicaia. Seven years ago, I arranged > a vertical tasting of eleven vintages, and I wanted to repeat the event to see > how the wines had matured, and to see how the newer vintages compared with the > old ones, so I set up a 14 vintage vertical to survey the wines. > > In my experience, there is no substitute for being able to taste the wines > together at the same time, in order to form a sense of what the wine is all > about. There are always differences attributable to the vintages, but there are > commonalties you can see that are at the root of what the wines are. Once you > have gone through this process, you can say that you really know something > about the wine - it is totally different from trying to form an opinion based > on one vintage you tasted last month, another a year ago, a third tonight. > > All of these wines were sourced from my cellar, where they had resided since > release, except for the 81, which came from a cooler cellar, the better to > ensure it was still in good shape, and the 1996 and 1997, one of which flew in > for the event from Toronto with its owner. > > If you visit the website for Sassicaia, you will get a slightly Bowdlerised > version of the history of the wine. There is no mention anywhere of Giacomo > Tachis, the winemaker from the first commercial vintage in 1968 until the early > 1990s, and the story of the carefully planned viticultural journey from > planting specific varietals to winemaking techniques would indeed seem quite > odd to Tachis, who relates a somewhat different tale. > > The vineyards at Bolgheri were planted in the usual hit and miss fashion, with > cabernet sauvignon, cabernet franc, cannaiolo and sangiovese intermixed. The > latter two were eliminated early on (the wine is now 10-15% cab franc, the rest > cab sauvignon), and the first vintage was 1968. If you read the material on the > site, you'd believe this debut was carefully planned - if you listen to Tachis, > who made the wine, it was a combination of wine salvaged from casks of 1965, > 1966, 1967, and mostly 1968, blended and issued as a single vintage, the > balance discarded. > > By the 70s, they had sorted the vineyards out and refined the winemaking > technique to the extent that they merited the reputation as the first and > perhaps most reliable 'Super-Tuscan', a wine made from varietals not allowed by > the DOC rules of the region, and thus (until it was awarded a DOC designation > for 1994, the first single wine DOC) it was sold as a vino da tavola. > > That this wine is remarkably reliable even in weak vintages, a testament to > technique as much as terroir was amply demonstrated in our tasting, which > spanned three decades, from 1979 to 1997. > > Here are the notes: > > 1991 - I started with this wine as I predicted that it would be the weakest of > the modern vintages. We drank it while I talked a bit about the tasting and the > wines. The best part was the nose, for the wine was a bit tannic and tart, and > the lean profile was acceptable only when taken with food. Definitely the > weakest wine there, and in comparison to the 1991 Tignanello that I opened for > lunch the next day, a less satisfying experience (probably the only vintage I > can think of where the Tig out-shone the Sassicaia). > > 1980 - a decent mature nose, nice weight in the mouth, soft and ready, with a > nice reprise of fruit right at the end. Perhaps the only wine detectably on the > 'other side of the hill'. It faded in the glass, but was presentable at the > beginning. > > 1986 - much riper fruit in the nose of this wine, and weightier in the mouth, > with the tannins of the vintage finally softened to allow it to be enjoyed. > > We had lamb carpaccio with Reggiano, capers, and extra virgin oil from > Sassicaia that I had picked up on a trip to Italy a few years ago with this > flight. > > > 1979 - this wine has never received much respect from the reviewers, nor the > winemaker, but when we tasted it seven years ago, it showed beautifully and was > one of the favourite wines. It started off poorly, though it had good colour, > and I was at first disappointed with the wine, as it seemed too acidic and > closed. Then it started to open and showed some cocoa/mocha in the nose, with > good sweetness on palate. Not as good as it was in the first tasting, but > nonetheless still enjoyable now. > > > 1989 - tough year for the region, but this wine wasn't shabby at all - a > bigger, riper more fruit driven nose, and a good tannin to fruit balance. Best > wine so far. > > Served with pan seared sweetbreads with spiced lentils, 'candied' prosciutto > and truffle sauce. > > > 1982 - a really attractive mocha and cassis nose, smooth, balanced, long and > sweet. This wine had the sweetest fruit so far, and was the first one that had > a level of terminal acidity and structure that would allow it to masquerade as > a Bordeaux in a blind tasting. It was also the favourite wine of the night for > a couple of people. Lovely! > > 1983 - the nose on this one was a bit reticent and took longer to open up, but > eventually showed as a bit riper, perhaps even better balanced than the 82. An > elegant wine. > > Served with rabbit loin stuffed with it's own liver, sweet potato roesti and > Port reduction. > > 1981 - good colour, a nice high-toned nose of cocoa and fruit, excellent sweet > fruit on palate, not too much acidity, and very much like a Bordeaux. This was > the last one I was worried about being in good shape, and I gave a figurative > sigh of relief once we reached this point, as all the rest were sure to be > good. > > 1990 - this wine was very good - sweet currant and vanilla in the nose, very > full in the mouth, good concentration and sweet fruit like the 82, and the more > typical slightly high terminal acidiy. Will last for years, but drinks very > well now. I cannot recall why I didn't buy more of this vintage! > > Served with a wild mushroom ragout with roasted garlic on a brioche. > > 1985 - this flight were the big guns - this wine is a Parker 100, and it is > really amazing. Very dark; even more so than the already quite dark wines that > preceded it. The nose was a wonderful, luscious black currant extravaganza > topped off with cedar and a little tar. In the mouth, it had a creamy smooth > feel, and the fruit was exemplary with layers of subtlety. The tannins are > soft, the acid lively, and the wine has many years to go yet. It is a truly > great wine, and when I see reports that some people think it to be over the > hill, I have to attribute it to poor storage or lack of tasting experience. It > is magnificent, but having said that, it is also a bit of a blonde among a > family of brunettes - all of the previous wines were clearly identifiable as > cut from the same cloth, while this one was qualitatively different, a more > international style of wine with less regional typicity. > > > 1988 - it is always a bit unfair to compare wines as good as these, but either > would overwhelm any of the other vintages, so I elected to taste them against > each other. In fact while we tried many of the pairings at the beginning of the > courses, together, we most often drank one wine, then moved on to the next, as > this method allows the best opportunity to savour the merits of each wine. The > 1988 had a rich nose, and was forward and ready, sweet in the mouth, with great > length. One to drink while waiting for the 85 to develop. > > Served with Tournedos Rossini on scalloped potatoes. > > 1995 - I elected to serve the last 3 vintages from the 90s together with > cheese, which included the often dreaded Vacherin de Mont d'Or, this one at a > perfect stage of ripeness, and therefor approachable with pleasure. Dark, with > a sweet oak/cassis/anise nose. An unusually sweet entry followed by a well > structured forward and drinkable wine with quite a few years of potential > ageing ahead. > > 1996 - a similar sweet profile, bright, with the most tannins of the three, and > with the nicest nose, I thought. I have a concern about the level of fruit in > proportion to tannin, but trust that it will all sort out in a few years. > > 1997 - a good nose in the same style, a bit more terminal acidity, good > structure and fruit, but not as fresh as the 1995. > > While we could see the family resemblance of this trio to the previous wines, > they did seem to be cut from a different template, more fruit and sweeter, and > the tannins not as tight as the others were at that age. This is nothing new - > many areas went through a revolution in winemaking at the end of the 80s and > beginning of the 90s, and added to this is the fact that Tachis, who made all > of the other wines, was replaced by a new winemaker for these vintages. It will > take a taster with either more experience, or a better crystal ball than I > possess to predict whether these wines will fit easily into the traditional > Sassicaia lineage, or if they represent a departure in a new direction for the > winery. > > At the end of the event there was demand made to repeat this tasting again in > another 5-7 years. Some of the older wines would by then be beyond their > drinking plateau, but new vintages could be added to extend the vertical > forward, and perhaps the correct place for the 90s wines could then be more > accurately assessed. I had five people from the original 1997 event at this > tasting. Maybe we should get together again in 2008 or so to repeat the > experience. |
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![]() "Bill Spohn" > wrote in message ... > >One comment on vertical (and horizontal) tastings: > >Although I appreciate the educational value of them, I don't conduct them > on>my own anymore. There are always wines that get blown away by a few > of>their more stellar peers which would be perfectly lovely if served on > their>own. That strikes me as wasteful of merit. > > > > I agree, but find that you can taste together and then go back and drink them > seriatim, savouring one at a time. > That sort of tasting is the only way to know a wine or a vintage! Oh, I agree completely on that last, but I'd want to do the vertical at a ""pay for event" tasting - never from my personal collection. One needs both a lot of depth and breadth in one's cellar to host such extravaganzas. I have neither. I _could_ kick in a bottle for a Richie Creek tasting though... > >On tannin/fruit balance: > >In my experience, wines that go into the bottle out of balance never > achieve>balance with aging. They may _improve_, but it's always better if the > wine>is balanced to begin with. > > Depends on what you mean by balance. Excessive tannin can conceal exactly how > much fruit is there - examples would be the 1975 Bordeaux when young, and just > about any Dunn. Funny you should mention 1975 Bordeaux. The Mouton I bought proves my point. It was a tannic monster when released. I _thought_ there was fruit behind the tannin. When I tasted it a couple of years ago the tannin had resolved, to reveal... ....not much to speak of. Don't get me wrong. I've tasted a number of tannic monsters that developed into extraordinary wines at maturity. The fruit behind the tannin was always _there_, and was evident in the wines' youth after a good deal of breathing - sometimes for more than a day. > Past a certain point, there is so much puckery tannin that you have a real hard > time detecting just how much fruit is there. Wait 15 or 20 years and things can > sort out. I'd agree though that if the fruit isn't there to start with (even if > it is 'hiding') ithe wine isn't going anywhere. OK, we agree on that last, but I believe that it's possible to sort that all out in _young_ wines too. IOW, it doesn't really take 20 years to decide whether a wine has any future to speak of. It just takes patience, attention (over the course of an evening), aeration and perhaps a bit of imagination. Tom S |
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>
> Thank you for the notes, Bill. Btw, I guess it's the only Parker > 100 bottle in my cellar. I had Lascases 82, (Parker 100), but am selling the last of it, and replacing it with 2002 white burgundy en primeur.. 82 Lascases has always been a let down IMHO. I have had it on five occasions over the last 15 years and it is the lack of fruit that lets it down, in fact my last note mentioned the word "mean". Members of my wine club have always thought I put the wine down too much, but one had it last month and said " I see what you mean" JT |
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> it doesn't really take 20 years to decide
>whether a wine has any future to speak of. It just takes patience, >attention (over the course of an evening), aeration and perhaps a bit of >imagination. And its a bit moot these days as they will never again make a 1928 or 1975 Bordeaux......... |
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![]() One needs >both a lot of depth and breadth in one's cellar to host such extravaganzas. Bill, if you don't mind a beginner asking; how long have you been developing your collection? It might give some of us some hope. How large is your collection in your cellar? It seems that many of the members with large and varied selections, also entertain a lot. Is this one of the reasons you have developed such a wine cellar? If so, then I'll get out there and make another 100 friends of so ;-} TIA Larry Stumpf, S. Ontario, Canada |
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did a similar tasting in 1986 with Mr Parker in attendance. Much to our
mutual regret, once he wrote about the wine, wholesale prices soared. I bought the 1982 in Firenze for $12 US at 1900L=$ and drank it at a pensione in Fiesole for a buck or two more!!! At that time the Maryland wholesale price was about $30 US when the 1982 was released in the US by Julius Wile. Enoteca Pinchiorri had almost all the vintages with the first selling for about $150 US, which I skipped in 1985 trip. Most of the older Sassicaia I bought was purchased at La Frasca in Castrocaro Terme on the Ravenna-Firenze road SS67. The first Sass I bought was at Weimax in Burlington Ca near the SF airport for the unheard of price of $30 in 1983 or so. -- Joe "Beppe" Rosenberg "Larry" > wrote in message ... > > One needs > >both a lot of depth and breadth in one's cellar to host such extravaganzas. > > > Bill, if you don't mind a beginner asking; how long have you been > developing your collection? It might give some of us some hope. > How large is your collection in your cellar? > > It seems that many of the members with large and varied selections, > also entertain a lot. Is this one of the reasons you have developed > such a wine cellar? > > If so, then I'll get out there and make another 100 friends of so ;-} > > TIA > > > > > > > Larry Stumpf, > S. Ontario, > Canada |
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>Bill, if you don't mind a beginner asking; how long have you been
>developing your collection? It might give some of us some hope. >How large is your collection in your cellar? I started a cellar around 1980. It just seems to keep growing despite my efforts to open more bottles and buy less. It currently runs around 3,700 bottles. >It seems that many of the members with large and varied selections, >also entertain a lot. Is this one of the reasons you have developed >such a wine cellar? Appreciation of wine can certainly be a social pursuit, but in my case it wasn't a major consideration. I collect wine because I enjoy it - the social thing was definitely secondary. I may also be accused of having a collector mentality, which is why I have owned probably 6 dozen cars (only about 9 currently) 4000 LPs, untold books, and just one long-suffering wife. |
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![]() "Bill Spohn" > wrote in message ... > I may also be accused of having a collector mentality, which is why I have > owned probably 6 dozen cars (only about 9 currently) 4000 LPs, untold books, > and just one long-suffering wife. True collectors have _many_ more wives than that. ;^D Tom S P.S. - What sort of cars are you into? I've been into big block Fords, myself. The 1963½ Galaxie "R" code is my holy grail - so to speak. |
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>P.S. - What sort of cars are you into? I've been into big block Fords,
>myself. I'm afraid I am into things that are mostly British - several old MGs, a couple of Jensens, a TVR, and - the result of a moment of waekness, an old Lamborghini. |
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snip>
> I'm afraid I am into things that are mostly British Does that include rotten Teeth ![]() |
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Tom S wrote:
> P.S. - What sort of cars are you into? I've been into big block Fords, > myself. The 1963½ Galaxie "R" code is my holy grail - so to speak. I've never really collected cars, though I was certainly a Ford enthusiast way back in my youth. 302 small-blocks forever! Oh wait, they've basically killed that engine family and replaced it with the (superior) "modular" series. I did sort of fall into collection sport motorcycles in the 1980s, mostly Hondas, though my fave was a Yamaha RZ350 aka RD350LC. Now, my motorsports focus is on a supercharged 2002 Mazda Miata. It's like Bill's British cars in spirit. It sure doesn't hold much wine, though; two cases basically is all the trunk is good for. Dana |
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>It's
>like Bill's British cars in spirit. It sure doesn't hold much wine, though; >two cases basically is all the trunk is good for. I've managed 17 bottles in the boot of a 1962 MGA Coupe coming back from Napa, and 8 cases in a Jensen Interceptor, although with that load she was riding pretty close to the Plimsoll line, and had to take care to avoid potentially damaging objects in the road - like pebbles, cigarette packages on edge......... Damned Lamborghini is only good for a couple of cases, and then only if you take the wine out first, or put them behind the seats! A blown Miata sounds interesting. I will have to replace my street vehicle one of these days soon (it is 15 years old) and was thinking about a Honda S2000 or a 90s Corvette - obviously not worrying about cargo capacity. |
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Bill Spohn wrote:
>>It's >>like Bill's British cars in spirit. It sure doesn't hold much wine, though; >>two cases basically is all the trunk is good for. > > > I've managed 17 bottles in the boot of a 1962 MGA Coupe coming back from Napa, Well, that's rather impressive since you were driving from Napa to Vancouver, you probably had things like, um, clothing and such. > and 8 cases in a Jensen Interceptor, although with that load she was riding > pretty close to the Plimsoll line, and had to take care to avoid potentially > damaging objects in the road - like pebbles, cigarette packages on > edge......... Wow. 8 cases. I've done 4 in the Mazda once; two in the boot (comfortably) and two on the passenger seat/floor. Didn't have a problem with ground clearance, though. > Damned Lamborghini is only good for a couple of cases, and then only if you > take the wine out first, or put them behind the seats! Heh. > A blown Miata sounds interesting. I will have to replace my street vehicle one > of these days soon (it is 15 years old) and was thinking about a Honda S2000 or > a 90s Corvette - obviously not worrying about cargo capacity. S2000 is quite nice, as is a 90s Vette. I bought the Miata on a bit of a whim, and never expected to modify it. Oh well, that went out the window. The 6 psi Jackson Racing kit was an easy afteroon bolt-on kit and works very well, though I'd suggest adding the water injection kit even at 6 psi boost if you have to live on 91 octane fuel like I do in CA. Of course, the water injection kit is not CARB-certified and is thus an "off-road" only item, but the supercharger kit is CARB-certified. I don't know the smog inspection rules in B.C., though. Certainly I would not take the Miata in for smog inspection in California with the H2O injection installed. I've driven both the S2000 and the '02 Miata SE. Both have excellent handling. The S2000 might be a tad better. It does make a lot of power but, just like the stock Miata, you need to drive it like it's stolen to really get the benefit. Of course, I find myself driving my blown Miata like it's stolen, old habits die hard. If you're going to the muscle route, a Corvette with a Vortech or Kenne-Bell supercharger is interesting... Dana |
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>I bought the Miata on a bit of a
>whim, and never expected to modify it. Oh well, that went out the window.>The 6 psi Jackson Racing kit was an easy afteroon bolt-on kit and works >very well, though I'd suggest adding the water injection kit even at 6 psi >boost if you have to live on 91 octane fuel like I do in CA. Already have a daily driver 88 Fiero with a 3.2 turboed at 13.5 psi. - 300 bhp (and passes smog tests). That's why I need something with a bit of 'spirit' to replace it! >If you're going to the muscle route, a Corvette with a Vortech >or Kenne-Bell supercharger is interesting... Also have a 65 Jensen with a Chrysler 383 Sixpack in it, so I sort of have the muscle route covered already;-) |
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In my youth after finishng graduate school and having a job for a while,
I splurged on a Z-option 1963 Corvette. This monster had all of the competition options, and only about 100 or less were made. The last I heard, it had been completely restored and is now worth a small fortune. That is one thing I never should have traded in. It had a wild cam that made it very rough at low rpm. You really had to wind it up for the brutal power to kick in. The storage area behind the two front seats was nearly completely filled with a 36 gallon gas tank. You could put a small suitcase or two on top of the tank, but they obscured the rear view. One wine case would fit in the right seat, and aother in the foot space under it. The special suspension and the race Firestone tires, reinforced with coat hanger sized wire, made the ride more brutal than in a truck. You could have a sore bottom if you drove it on a long trip. The brake linings were of sintered iron and, even with a power booster, you really had to press the brakes hard to stop.The brakes all had air scoops that could be attached, and they self adjusted on forward rather than reverse. You could just about stand on the brake petal all day with no fade. The top speed was supposed to be over 160 mph. The company would not install an air conditioner on this model, so you boiled in your own juices in this black car in the summer. It had a special exaust system that made a very loud noise. So much for youthful folly. I was barely 17 when I started college and received the PhD and had my first job at 24. I think I made up for some lost time the first year or so I had some extra money to spend. |
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![]() "Cwdjrx _" > wrote in message ... > The storage area behind the two front seats > was nearly completely filled with a 36 gallon gas tank. You could put a > small suitcase or two on top of the tank, but they obscured the rear > view. Bah! I could probably put 12+ cases in just the _trunk_ of my Galaxie (not to mention the back seat), turn ¼ mile ETs in ~12 seconds, and still have a clear view out the rear window. 8^) Come to think of it, it might even pull a _wheelie_ with all that weight behind the rear axle... ;^D Tom S |
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>I splurged on a Z-option 1963 Corvette. This monster had all of the
>competition options, and only about 100 or less were made. That puppy would be worth a few cases of DRC, had you kept it! Ahh - the ones we let get away! |
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![]() "Bill Spohn" > wrote in message ... > and 8 cases in a Jensen Interceptor... Me and my friend returned from Mosel with 25 cases in his Audi A8... :-) with no visible sign of overload... Only problem was getting through customs, leaving the EU ... Nice doing that at times ;-) Anders |
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>Me and my friend returned from Mosel with 25 cases in his Audi A8... :-)
>with no visible sign of overload... But as we all know, Mosel produces a much 'lighter' wine.......;-) |
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Cwdjrx _ wrote:
> In my youth after finishng graduate school and having a job for a while, > I splurged on a Z-option 1963 Corvette. <snip> 63 Corvette – brings back memories. When I was in USAF basic training in 1962, all I could think of was purchasing a 1963 Corvette Coupe. As it turned out, my mother convinced me that I should purchase a more practical car. I purchased a 63 Impala with a 409 (340HP, hydraulic lifters, close-ratio 4-speed with 2:20 low, 3:70 positraction). It was very fast – for the first 2 city blocks – after which, a friend with a 425HP 409 would finally catch up. I discovered the importance of torque. I could burn rubber from a standing start in 1st, 2nd or 3rd gear. God that was fun! Never did purchase a Corvette, and now in my senior years, I think more about luggage space. I still have a fun car in the garage – an 84 Mercury Capri (version of the Mustang GT.) It’s a 5 liter, 5 speed, and very fun to drive. But, when I go wine shopping, I’ll bring the van! Thanks for a trip down memory lane, Dick |
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